This talk on the use of music as an instrument of torture is part of The Politics of Music, a two-day public discursive programme looks at how political dynamics permeate through and affect music and the spaces which it creates. It was originally intended to be part of If UR Reading This It's 2 Late, Vol. 3, the first comprehensive solo exhibition by the American artist Tony Cokes in Belgium and we're very happy that the event is finally coming to fruition by virtue of the collective efforts of Kunstenfestivaldesarts, Courtisane and Auguste Orts.

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In partnership with KANAL — Centre Pompidou, Kaaitheater, The Funambulist, Radio AlHara, Mophradat, MIM, Lagrange Points