25.01.11—02.04.11 12:00—19:00
Location:
ARGOS vzw
, ARGOS vzw
Down Low Up High. Performing the Vernacular
screening
Opening: 22.01.2011, 18.00 – 21.00
Argos Black Box presents a series of performances and choreographies on video and film that explore notions of movement, space and time within the urban make shift environment of New York City during the early 1970s. The compiled works in Down Low Up High offer a visual and performative exploration of urban space as a physically charged field of investigation. The protagonists of these works – from the dancer to the performer, from the camera to the city, from the passerby to the sparse audience – physically appropriate the public terrain of their daily surroundings through their presence as well as actions. The decision to leave the artist studio and go out on the street stood for an emancipatory and political consciousness that informed artistic production at the time and reflected the city politics that allowed cultural producers to conquer public space. Despite the few who were there to see these actions at the time, these performances, videos and films by film makers and cinematographers such as Babette Mangolte, Bob Parent, Robert Fiori and Bill Rowley are now part of a greater canon that defines the collective memory of New York City at the time. Manhattan was a field of experimentation, a over- as well as non-occupied space that could be reclaimed for the public desire to express everyday actions as well as democratic rights. Down Low Up High presents Trisha Brown´s iconic choreographies from 1970 (Leaning Duets and Man Walking Down the Side of a Building), Joan Jonas´ performative exploration of space, movement, and sound in her video Songdelay, Babette Mangolte´s film Calico Mingling on a choreography by Lucinda Childs, Bob Parent´s film Transformations on a SoHo Street with a performance by Ruth Heller Coron and Elaine Summer´s Two Girls Downtown Iowa, were all four made in 1973, as well as James Nares minimalist and physically experimental video performance Roof from 1975.
Curated by Barbara Clausen.
Screening programme:
Trisha Brown - Leaning Duets
1970, 2’44”, 16mm transferred to video, b&w, silent.
Trisha Brown - Man Walking Down the Side of a Building
1970, 3’13”, 16mm transferred to video, b&w, silent.
Joan Jonas – Songdelay
1973, 18’35”, 16mm transferred to video, b&w, sound.
Babette Mangolte - Calico Mingling
1973, 9’53”, 16mm transferred to video, b&w, silent.
Bob Parent - Transformations on a SoHo Street
1973, 20’, 16mm transferred to video, b&w, silent.
Elaine Summers - Two Girls Downtown Iowa
1973, 11’16”, 16mm transferred to video, b&w, silent.
James Nares - The Roof
1975, 13’06", video, b&w, sound.
Argos Black Box presents a series of performances and choreographies on video and film that explore notions of movement, space and time within the urban make shift environment of New York City during the early 1970s. The compiled works in Down Low Up High offer a visual and performative exploration of urban space as a physically charged field of investigation. The protagonists of these works – from the dancer to the performer, from the camera to the city, from the passerby to the sparse audience – physically appropriate the public terrain of their daily surroundings through their presence as well as actions. The decision to leave the artist studio and go out on the street stood for an emancipatory and political consciousness that informed artistic production at the time and reflected the city politics that allowed cultural producers to conquer public space. Despite the few who were there to see these actions at the time, these performances, videos and films by film makers and cinematographers such as Babette Mangolte, Bob Parent, Robert Fiori and Bill Rowley are now part of a greater canon that defines the collective memory of New York City at the time. Manhattan was a field of experimentation, a over- as well as non-occupied space that could be reclaimed for the public desire to express everyday actions as well as democratic rights. Down Low Up High presents Trisha Brown´s iconic choreographies from 1970 (Leaning Duets and Man Walking Down the Side of a Building), Joan Jonas´ performative exploration of space, movement, and sound in her video Songdelay, Babette Mangolte´s film Calico Mingling on a choreography by Lucinda Childs, Bob Parent´s film Transformations on a SoHo Street with a performance by Ruth Heller Coron and Elaine Summer´s Two Girls Downtown Iowa, were all four made in 1973, as well as James Nares minimalist and physically experimental video performance Roof from 1975.
Curated by Barbara Clausen.
Screening programme:
Trisha Brown - Leaning Duets
1970, 2’44”, 16mm transferred to video, b&w, silent.
Trisha Brown - Man Walking Down the Side of a Building
1970, 3’13”, 16mm transferred to video, b&w, silent.
Joan Jonas – Songdelay
1973, 18’35”, 16mm transferred to video, b&w, sound.
Babette Mangolte - Calico Mingling
1973, 9’53”, 16mm transferred to video, b&w, silent.
Bob Parent - Transformations on a SoHo Street
1973, 20’, 16mm transferred to video, b&w, silent.
Elaine Summers - Two Girls Downtown Iowa
1973, 11’16”, 16mm transferred to video, b&w, silent.
James Nares - The Roof
1975, 13’06", video, b&w, sound.
Location:
Argos
Werfstraat 13 rue du Chantier
1000 Brussels
info@argosarts.org
+32 2 229 00 03
Opening hours:
Tuesday to Saturday, 12:00 to 19:00
Entrance Fee:
3 euros
Argos
Werfstraat 13 rue du Chantier
1000 Brussels
info@argosarts.org
+32 2 229 00 03
Opening hours:
Tuesday to Saturday, 12:00 to 19:00
Entrance Fee:
3 euros